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Jayam Kondaan ஜெயம் கொண்டான்
Review:
R.Kannan, an understudy of Maniratnam makes his debut into direction with 'Jayam Kondaan.'
Arjun (Vinay), a young man working in London returns to Chennai, following his father's demise. With the Rs.60 lakhs saved in his father's account, he hopes to set up a business along with his friends. However, he is shocked when at the bank he is told, that there is only Rs.15000 in the account.
A greater shock is in store for him when he comes to know that his father has been supporting a mistress and that he had a 20 year-old daughter, Brinda (Lekha Washington) from that relationship.
But there was a house in Madurai belonging to his father. He decides to go to Madurai to sell it and use the money for his business. Brinda is also interested in selling the house so that she can pursue her studies at MIT, USA. Consequently the two siblings are at each other's throats.
At Maduari, Arjun meets his father's friend who is residing in their house. His daughter, Poorani (Bhavna) is a basketball player. Arjun asks them to evict much to their displeasure. Just when the deal of the house is almost done, Brinda with help of Guna, a local gangster challenges the deal at the registrar office. An unfortunate incident there results in the death of Guna's mistress. Guna now seeks Arjun's life.
The film entertains. Despite the violence in some scenes, it leaves a message that things can be sorted out amicably and violence is not the answer. Arjun as a young ordinary man believes in this and avoids conflicts but that did not mean that he was afraid as was evident towards the end.
His responsibilities towards his family were his priority, he believed. The director has drawn out well the fondness that develops gradually between Arjun and Brinda.
Vinay, in his second film leaves you impressed. Bhavna is at her cute best. Her costumes bring out her beauty well. Lekha is ok. You hate Kishore as Guna and this underscores his ability as a villain.
There are lots of comedy moments, thanks to Vivek and Santhanam. Santhanam is showing promise in quite a many films of late.
'Jayam Kondaan,' may not be great, but a good effort on his debut by Kannan.
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Kadhalil Vizhundhen
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After all the Nakka Mukka hype, it is time for Kadhalil Vizhundhen, the movie to stand up on its merits and be counted. It is a movie full of debutants, made by the youth for the youth. The title itself indicates a theme that rides on romance, the trailers have shown that there is a fair share of action and drama and one need not elaborate more on the popularity of the music, a commercial mix. But it is not the commercial mixes but the neat presentation that makes a movie do well in theaters. The theme of Kadhalil Vizhundhen is not something very novel, but the director has taken care that things do not get boring at any point of time. At the outset, the movie is the regular boy meets girl, love blossoms, three duets, villain enters, fights, drama and a climax fare, but the sequence of events and the characters make the movie interesting to watch. The hero, Nakul, is one with a disturbed past, a childhood that was marred by the loss of one parent and the callousness of another; he has to work hard to get himself an education. His passion for fast bikes is what makes him fall (literally) in love with heroine, Sunaina. The sequences of events that lead to the blossom of romance are highly cinematic but undeniably enjoyable. As expected, the romance which is separated by a wide socio-economic gulf does not find acceptance. Then, there seems to be more to the opposition than just social status and other regular factors. Is there some conspiracy afoot with larger and more sinister goals? The answer to all these questions awaits you in theaters. The director has maintained a consistent tempo from start to finish, with some scenes making a definite impact like the one where the police inspector, played by Sampath gets the rough end of the stick from Nakul and also the scene where a rather petrified Livingston too faces the same treatment - the scene evokes amusement. Heroine Sunaina has done what is required of her. But the stand out performance is by Nakul, actress Devayani’s younger brother. At first one may find it difficult to believe that this is the same boy who rolled about with his plump body in Boys. Five years down the line, the transformation is extraordinary. He has tried his hand in Telugu in the interim, you hear. Here, he looks perfect hero material, be it in the songs, fights or scenes; the hard work shows as he delivers an energetic performance. This guy has definitely got a future in Tamil cinema. The surprise packet in the cast is Saimira Venkat who makes a one scene cameo which makes us wonder whether he can start a career as an actor. Technically, Kadhalil Vizhundhen rises above the standards that we generally see for a debutant venture. Camera and editing have done a world of good to the movie. But the single largest factor here seems to be Vijay Antony who has simply turned it on with his musical score. Apart from the foot-thumping Nakka Mukka, Thozhiya En Kadhaliya and Un Thailamudi make a good impact, hats off and keep up the great work. Overall, Kadhalil Vizhundhen is a movie that deals with a regular theme in a refreshing manner. Debutant director P.V. Prasad has understood perfectly the requirements of the script. He has taken quite a few cinematic liberties but has handled all of them well which keep boredom or ridicule well at bay. Great work for a debutant. Kadhalil Vizhundhen has introduced to Tamil cinema a talented director and a young hero who has all that it takes to go the distance. At the box office there is no doubt about the target audience, the youth of all classes. They are most likely to enjoy this one to the fullest, especially the love struck ones. With the marketing led by Sun TV, the movie stands great chances of making it big at the box office. Verdict – For the youth, by the youth… Kadhalil Vizhundhen Torrent Screen Shots | ||
Sathyam சத்யம்
Review:
Star-cats: Vishal, Nayanthara, Upendra, Kota Srinivasa Rao, Ravi Kale, Prabhu Nepal, Sudha Chandran and many others.
Banner: GK Film Corporation
Production: Vikram Krishna
Story, Screenplay and direction: A.Rajashekar
Music: Harris Jayaraj
Cinematography: R.D.Rajasekar
Editing: Antony
Satyam has been raising our expectations from a very long time and today you have the film hitting the screens all over the world. Well, we are delighted in bringing you the first exclusive review about the film with a clear picture of analysis. Commencing his directorial venture with an action-thriller, A.Rajashekar has roped in a theme that is so happening in today’s society. For as the story, it’s the same old police story that leading actors like Vijayakanth, Arjun, Kamal, Surya, Vikram and many others who have performed the role of cops who are there to strike down the baddies and cleansing the society.
Being an honest police officer, all throughout his career, Satyam (Vishal) is a person who doesn’t like killing down the rowdies under encounter orders. Valid reason lying beneath is that he believes in the fact that politicians treat gangsters as their henchmen in times when they need and bump them off when of no use. Avoiding encounters would perhaps get the culprits in the politics into the spotlight. The story moves on these lines for the first half accompanied by fun and frolic on the parallel lines where, Deiva (Nayanthara), a journalist residing in the apartments of Vishal goes dead against him. Of course, the children over there in apartments are opponents to Deiva and them Vishal as his gang leader. On the emotional lines, a deep affection is revealed between mother-son relationship and Sudha Chandran as Vishal’s mother does a beautiful job.
Things get screwed up when law minister Kondal Dasan (Kota Srinivasa Rao) hires his henchman Dilli (Ravi Kalle) to kill the other cabinet ministers since they are his greatest hurdles of becoming the next chief minister. But the mystery begins with the entry of Manickam (Upendra) who bumps off the cabinet ministers that Kondal actually wanted to kill. With Dilli, Kondal and his right hand Acharya (Prabhu Nepal) completely perplexed about the mysterious man, Vishal standing on the shoes a cop hunts for the assassin and traps him at a point only to find out the shocking truth. What is the truth all about and has both of the met earlier forms crux of the story?
Not breaking the formulas of clichés, Vishal follows the same trend of getting hero-worships, fast-beat folk songs, and unsuitable comedy tracks. However, this magical formula works well with the frontbenchers and Vishal fans. On the other hand, Nayanthara grabs the attention with her sultry looks, but she has nothing to do with the film. However, it’s Upendra who steals the show his stunning performance and the moment he appears on the screens, there is big hand of applause and continues throughout…
Kotta Srinivasa Rao, Prabhu Nepal and Ravi Kalle do justice to their roles.
R.D.Rajeshekar’s cinematography and Antony’s editing are completely disappointing but Thota Tharani lives up to the expectations with his spellbinding art direction for the songs. Harris Jayaraj on background score does sound good while couple of melodies is tuned well. Stun Shiva’s action choreography especially in the climax sequences are the stealing highlights in the film.
As a whole, Satyam is a commercial movie that can be watched once and you don’t get more than you expect. A typical Vishal film and it would be very nice if Director A.Rajashekar had avoided some of the noticeable flaws.
Getting on with plus and minus about the film, Upendra’s performance, Vishal’s typical looks of a cop, Thota Tharani’s set decoration. Well, on the negative traits, its about director beating the bush with same old story, Nayanthara’s character lacking finesse and Cinematography by R.D.Rajashekar and Editing by Antony.
Bottom - Line: Not exceeding your expectations
Verdict: On the thin line between good and worst
Dhanam தனம்
Review:
Producer - director G Siva deserves a pat for touching on a bold theme in ‘Dhanam’. The movie takes a close look at a woman indulging in the world's oldest profession, who gets married in a Brahmin Iyengar family. The travails that she undergoes in the family form the crux.
Siva seems to have taken cue from his mentor K Balachander, who had churned out movies on similar themes before.
Sangeetha deserve a pat for taking such a sensitive portrayal and playing it with aplomb. She seems to have done her homework exceedingly well.
Prem play her timid husband while Kota Sreenivasa Rao is cast a greedy womanizing astrologer. Girish Karnad plays an orthodox Brahmin, while the cast also includes Ashish Vidyarthy, Manobala, Ilavarasu, Rajalakshmi among others.
Dhanam (Sangeetha) is a call girl in Hyderabad. She does flesh trade only to help the poor people living in her colony. Anantharaman (Prem), a Brahmin youth is fascinated by her and decides to marry her. She reciprocates his love and agrees to marry him on the condition that his family should accept their marriage. As expected, the family opposes the marriage plans. However when an astrologer Vedagiri (Kotta Sreenivasa Rao) predicts that they would strike it rich, if Anantharaman marries Dhanam, they arrange for the wedding. Meanwhile Vedhagiri tries too woo Dhanam.
When Dhanam gives birth to a girl child, all hell breaks loose in the family. A series of events results in Dhanam avenging the whole family including the astrologer. Is she punished for her crime forms the climax.
His portrayal of a Brahmin family seems far removed from reality.
Ilayaraja has provided a couple of catchy melodies and with his brisk background score. Jeeva's cinematography deserves a special mention.
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